香槟情缘

泗水的一个孩子想埋葬父亲的尸体。然而，在“塔利尔”（tahlil）仪式后的那个晚上，他父亲的尸体却复活了，走出了房子，消失在黑暗中。同一天晚上，拉蒙岸村的一位居民在村路尽头看到了一具行尸走肉的幽灵。这个村庄被诅咒了：出生在村里的人，如果死在村外，没有立即被送回家，就会自己回家。

26岁的阿尔芒德·皮贡失业在家、债台高筑，在布鲁塞尔艰难度日。雪上加霜的是，她嗜赌成性，从不畏惧冒险——因为对她而言，所有赌注都值得一试。唯有一个赌注或许例外，那可能是她至今仍不敢孤注一掷的疯狂赌局：爱情。

《老板》是一部喜剧动作片，讲述了龙头市最大组织"家族派"即将选出下一任老板之际，为了各自的梦想而互相让出老板位置的组织成员之间展开的殊死对决。

女主 Sarah 因母亲去世罪疚难眠，为了“重逢”母亲，她求助于一位神秘人士，进行一场黑魔法仪式。随之而来，潜藏于阴影中的恶灵被唤醒，一连串超自然恐怖事件接连发生，她与身边人陷入毁灭危机

When an Irish football club becomes embroiled in an international match-fixing scandal, their hapless assistant manager finds himself way out of his league.

Eva has just given birth to her third child but the peaceful air of their happy family is invaded by strange happenings when their twin daughters turn up injured and Eva is being accused for it.

A Goalkeeper in Danish football team that won the European Championship against all odds in 1992 and captained Manchester United in the Champions League final victory that clinched the treble in 1999.

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies? In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson. The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.

从大型事务所独立已有4年，事务所“Rafale”的代表井冈咲（柴崎幸 饰），终于为旗下王牌演员F争取到了夙愿已久的地面波电视剧主演机会。可就在此时，一个消息突然传入井冈耳中 —— 某周刊杂志告知她，将刊登这位王牌演员F的“婚外情丑闻”。                                                                    　　该报道的撰稿人是平田奏（川口春奈 饰），她正是那本曾将无数艺人的丑闻曝光在阳光下的《周刊文潮》记者。                                                                    　　距离杂志发售，仅剩72小时。                                                                    　　围绕丑闻是否刊登，事务所与周刊杂志之间的激烈较量正式拉开序幕。                                                                    　　而隐藏在丑闻背后的新事实，正将他们一步步拖向演艺圈更深的黑暗之中 ——                                                                    　　因某人的一己之私而扭曲的事实、以及接连浮出水面的全新真相。                                                                    　　在艺人丑闻的背后，那些暗流涌动的图谋，究竟会将她们引向何方？

Set between Hong Kong, London and Frankfurt, this is the intimate portrait of five women working in the highest spheres of finance. Regularly stigmatised as “dragon-women”, they reveal the survival mechanisms they use and the personal battles they fight in this ultra-patriarchal professional field where they represent a tiny minority.

Stressed? Burnt out? You’re not alone! With black humour and biting irony, we get the incredible story of how modern working life became its own worst enemy – and what we can do to change it. Burnout, endless meetings and colourful Post-It notes with empty marketing phrases have hijacked meaningful work. How did we get there? Based on a sabotage manual developed during World War II, John Webster’s wildly entertaining and deeply upsetting film demonstrates how modern work has become a monster that devours itself – and everyone else around it. Without losing sight of the system’s human toll, the film speaks directly to a current agenda about how and how much we should actually work. And fortunately for all of us, there actually is a solution. At the heart of the film, we sit in with a group of successful business people as they come together to share their stories of burning out – and how they got on in life. Most people will no doubt be able to relate to much of ‘The Happy Worker’, and have a good, much-needed laugh about how it got this far.

Francisca, Tobias, Sara, David and Frederic are students at the Swiss University of St. Gallen. Each from different backgrounds, they are studying for a degree that the Financial Times has dubbed the “best program in management worldwide.” They all have the same goal: to excel in a career prominently featuring money and power. The director closely follows these young adults for seven years, from a headhunter interview to their individual successes and setbacks as consultants or entrepreneurs. He asks them about their dreams and ambitions, goes with them on vacations or out to dinner, visits their parents, spends time with them as they prepare for job interviews, and works overtime with them in a hotel room. Crystal-clear editing tells five stories of five different people, each with their own uncertainties, euphoric moments, fears and heartbreak. Sadder and wiser, at the end of the film they look back on their initial enthusiasm and reflect on how much of it is left at this point in their lives. Through their uninhibited gaze, the audience gets a glimpse of a world that is familiar to only to a few. 源自： https://festival.idfa.nl/en/film/2ef01ca7-b887-461e-b601-50f0b48fe7ac/the-driven-ones/

从婴儿第一次呼吸到走的第一步，这套纪录剧集探索了十年来的开创性科学，并展现了婴儿出生后第一年的情感和那些令人惊讶的故事。